Quick Facts: All Lectures will be held between 15:00 – 18:00 Central European Time. Each lecture is approximately 1½ hours. The Zoom link will be sent to all participants before the lectures begin on 22 July, 2023. A Q&A will take place after the lecture. Unable to watch the live lecture? The lectures are being recorded and will be available for all Virtual Congress registrants on the Congress Attendees Only page after the last lecture. YouTube has a translation capability – with subtitles. Click on the presenter’s name (in the lecture description) to learn more about them. ALL LECTURE TIMES LISTED ARE CENTRAL EUROPEAN TIME.
Virtual Fees: The Virtual early bird registration is 25€ which includes 9 lectures. The Virtual registration after March 31 is 40€ which includes 9 lectures. Non-member registration fee is an additional 25€. The Virtual course registration (12 hour class) is 125€ plus the appropriate registration fees except Dresden Lace (9 hours) which is 95€ plus the appropriate registration fees.
Lydia Thiels-Mertens, Belgium Saturday, 22 July, 2023 15:00 CET
Lacemaking – Intangible Heritage in the World
The intangible lacemaking-heritage has a centuries-old tradition and it has evolved considerably after more than 500 years. Thousands of lacemakers spread over all the continents master this valuable technique and give shape to an enormous variety of techniques. It is the task of today’s lace makers to cherish and pass on this knowledge. Learn how we can assist in obtaining this recognition for the lacemakers spread all over the world.
Anna Sznajder, Poland Sunday, 23 July, 2023 15:00 CET
Stories Beyond the Pillow – How Bobowa’s Women Made Their Lace History
An ethnographic case study; Women, bobbin lace histories and the formation of lacemaking heritage in Bobowa, Southern Poland. The presentation explains how craft culture stimulates ideas of enterprising women, contributes to creative development of young and elders, builds social networks in the country and abroad, and applies laces in contemporary fashion, design, and the arts. How do patterns and materials selected for making bobbin laces decide craft character and shape its uneven future from hobbyist to market-oriented products?
Carol McFadzean, UK Sunday, 23 July, 2023 16:30 CET
Historical Lace Research, Fun & Frustration!
A talk featuring a variety of trails, both informative and humorous about trying to prove or disprove historical ‘facts or local folklore’. The principles of trying to ‘stay on task’, ‘the serendipity moment’ and ‘reaching euphoria’ feature highly throughout the journey. A look at the highs and lows of the historical lace researcher, what surprises are there in looking for the final links?
Wednesday, 26 July, 2023 15:00 CET
Behind the Doors of Heritage Malta’s National Textiles Collection – Curation and Conservation of Maltese Lace
An introduction to the Maltese National Textiles Collection, with particular emphasis on domestic lace. This collection dates back to 1903 when the first donations were registered. Importance is given to preservation and safeguarding this intangible cultural heritage from the curatorial and conservation restoration point of view.
Frieda Sorber, Belgium Wednesday, 26 July, 2023 16:30 CET
Lace in Antwerp, 1550 to 1913
From cutting edge fashion to niche markets in Middle and South America and the northern Netherlands. Antwerp never gave its name to a specific type of lace. Nevertheless, it was a hub for lace making and international commerce from 1550 to the early 20th century. The city played a major role in the development of straight laces, better known as Mechlin, Valenciennes and Binche.
Black silk lace in Antwerp Archive
Vicky Taylor, Australia Wednesday, 16 August, 2023 15:00 CET
Living Art Lace
To compliment the launching of The Janice Jones Lace Collection in Uralla, NSW, Australia, a video has been produced, Living Art Lace, for lace makers and textile people everywhere, showcasing contemporary lace as a vibrant art form. The makers speak about their contemporary lace art practices while paying homage to lace designers and makers who have gone before them. Vicky will also describe the challenges of large scale installations. After the video, there will be a discussion with a question and answer session.
Marketta Palo and Tanja Aarnio, Finland
Saturday, 19 August, 2023 15:00 CET
Pitsi-Pirtti/Lace Cottage – Exhibition of the Bobbin Lace Designs of Eeva-Liisa Kortelahti
Eeva-Liisa Kortelahti has been a name in the lacemakers’ world since the late 1970’s. She has designed many original patterns and published 12 books as well as individual prickings and working diagrams. This presentation is an interview with Eeva-Liisa, in English and French, as well as a virtual visit to her collection at Pitsi-Pirtti cottage. There will be an article in Bulletin 2/2023.
The lace pictured was created by Eeva-Liisa Kortelahti for the OIDFA World Lace Congress in Turku, Finland, in 1996.
Neus Ribas San Emeterio, Director Arenys de Mar Lace Museum, Spain Sunday, 20 August, 2023 15:00 CET
Lace with Woman’s Voice
Designers, lacemakers, entrepreneurs, fashion consumers, educators, contemporary lacemakers, collecters. A walk through the history of Lace in Catalonia visiting special lace pieces of the Museum to make evident all (women’s) roles involved in the process of a lace piece. In this trip we’ll talk about women like Carmen Tórtola Valencia who used the lace for her dances and collected laces and tissues, Francesca Bonnemaison a woman who founded schools for women where they learned bobbin laces. All women who loved, created, and sold laces whose work is preserved at the museum.
Martina Wolter-Kampmann, Germany Sunday, 20 August, 2023 16:30 CET
Old Flemish Laces – the cradle of all important lace from Flanders
Old Flemish lace already contains the basics for later development up to Binche. Today, when we make bobbin lace, we mainly adopt the way of working from diagrams in books and instructions. This lecture explains the background of why some edges or thread guides are made in a certain way, what actually is a ring in Flemish lace and its origin, and the very exciting connections between old Flemish lace and many modern genres. Martina will show how Old Flemish lace is connected with many modern forms of lace as well as how they have inspired her to use greater flexibility in designs.